Raw Mango celebrates the Rococo period in summer colours

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The 'Chorus' line relays design aesthetics of the Rococo period through woven ornamentation like birds, flora and ribbons but in a more vibrant colour palette. The Rococo was an artistic period that celebrated extravagance and elegance in equal measure. It emerged in France and spread across the world in the late 17th and early 18th. (Courtesy Raw Mango )

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The collection features sheer organzas, weightless Varanasi silk brocades, silk and Chanderi cotton in a range of saris, textiles and lehngas. ‘My team and I have spent years researching and experimenting with the textile history of the 18th century. This involved working with lesser explored materials like pearl detailing and ribbons,’ says designer Sanjay Garg (Courtesy Raw Mango)

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The silhouettes in the collection are all about ‘comfort, ease and privacy’.  ‘…18th century European textile history was often lavish and novel in technique, it was the epicenter of luxury textile producing the finest brocades. Unlike the proceeding Mughal era, the motifs of this time were quite pictorial, often relaying social scenes or finery,’ says Garg (Courtesy Raw Mango)

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The collection, which starts from ₹18,800, plays with weaves and textiles alongside prints and ornamentation. (Courtesy Raw Mango )

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The show took place in a room stripped of wallpaper, with rows of electrical wires visible.

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All the females models wore Kolhapuri chappals (from Vaishali’s hometown state), while walking in clothes were structured, yet flowy.

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Vaishali S. presented her collection, Abyss, on 24 January under the landmark, La Pyramide Inversée skylight, at Carrousel du Louvre. The collection included 35 garments, made using different silks and uplifted with traditional embroideries. 

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Vaishali S. greets the crowd after presenting her collection

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Rahul Mishra presented his couture collection at Paris' The Westin hotel on 23 January.  (Valerio Mezzanotti @nowfashion)

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Each piece in the collection, made at his workshop in the Indian city of Noida, was realised in two and three-dimensional hand embroidery.  (AFP)

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The embroidery was encrusted with Swarovski crystals, to give life to the elements of the world using threads. (AFP)

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The collection included gowns, bodysuits and jackets. (Valerio Mezzanotti @nowfashion)

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The custom-made shoes also grabbed attention with glitter-full heels.  (Valerio Mezzanotti @nowfashion)

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According to Mizo folklore, Zângkhua, or the constellation Ursa Major, is the spirit of a young warrior named Kawlawia. The constellation consists of seven bright arsi (stars) and is one of the most prominent clusters that appear in the north. Our ancestors possessed remarkable wisdom about the world, including stars and constellations. The Mizo elders keenly observed the appearance of these celestial bodies to track time, months and seasons, and read them as signs of good or bad fortune to come. They established their own theories of origin, resulting in interesting myths, lore and legends. This folktale tells the origin of the constellation Zângkhua, and how it became one of the most significant “stars” among the Mizo people. (Illustrations by Alyssa Pachuau)

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Once upon a time, there lived a man named Kawlawia (pronounced Koloya) in Mizoram. He married a young woman from the village of Sairum, which lies east of the Tlawng river. One night, Kawlawia dreamt a terrible dream that he believed foreshadowed his death. “Go to your in-laws’ village and offer a sacrifice. Tragedy will not befall you,” the village elders said. He decided to go to Sairum to perform a thla hual, a ceremony where a sacrifice is offered to pacify one’s mind.

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At Sairum, Kawlawia’s in-laws sacrificed a young fowl and a pig for the thla hual ceremony. He felt a sense of peace almost immediately, and set off for his home. On the way back, as he reached Berhvakawn, Kawlawia was waylaid by warriors from another village. And just like he had dreamt, he was killed, and the enemies carried off his head and leg as trophies. 

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After a few days, a tlaiberh (Red-vented bulbul) appeared at Kawlawia’s house and perched on a bamboo clothesline by the doorway. “Kawlawia lies dead at Berhvakawn,” the tlaiberh called. When they heard its song, Kawlawia’s family became anxious. “What a strange song the tlaiberh sings,” they said. 

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Finally, they sent some young warriors to Berhvakawn who found Kawlawia’s body. A small swarm of khawidang (wasps) was hovering over his knee where his leg had been severed. 

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As they stood over his body, there occurred a great gathering of darkness: the Thîm-Zîng. It appeared like a great black fog that covered the world in darkness. In that moment, Kawlawia’s body rose to the sky and turned into a cluster of stars that came to be known as Zângkhua. In this constellation, the first two stars, or “point stars”, are believed to be his shoulders, and the rest his torso and remaining leg. Till today, it is said wasps are flitting around his knee and can be seen blinking in the distance.

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When Zângkhua turns upside down, it is common knowledge that it won’t be long before dawn. In hard times, it’s common to say “Zângkhua a la bungbu ang”, which means Zângkhua will turn upside down to bolster people’s spirits and indicate that things will change for the better.

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When Zângkhua turns upside down, it is common knowledge that it won’t be long before dawn. In hard times, it’s common to say “Zângkhua a la bungbu ang”, which means Zângkhua will turn upside down to bolster people’s spirits and indicate that things will change for the better.

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Zângkhua not only tells the time and seasons, the stars themselves give hope to those who look upon them. They are a constant reminder that darkness will eventually give way to light and wrongs will be made right.  Alyssa Pachuau is a New York-based children’s illustrator. Her first picture book, Ukepenuopfü, with author Theyiesinuo Keditsu was published in 2022. 

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The 48th edition of the annual Bengaluru cake show is underway at St Joseph's Indian High School ground in Ashok Nagar. The themes this year explore good over evil, history and remembrance, and nature and harmony. In this photo, a baker poses with a 340 kg cake model of the Great Barrier Reef. (PTI Photo/Shailendra Bhojak)  (PTI)

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The cakes have been created by 20 students of the Institute of Baking and Cake Art (IBCA). This photo of a cake, designed like the bust of Lata Mangeshkar, weighs 130 kgs. (ANI Photo) (Savitha)

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Sugar art is key to designing these elaborate cakes and most contain just icing sugar without the moist sponge, reports a story published by The Hindu. (ANI Photo)

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A man dressed as Santa Claus poses for a photo with this gigantic replica of North America's the Cathedral Basilica, that weighs about 18 tonnes. (PTI Photo/Shailendra Bhojak) 

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A cake designed to represent the highlights of 2022. The show was unveiled on 16 December and will end on 2 January, The entry fee is ₹100. (ANI Photo)

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The bolo-rei, a donut-shaped cake, is a Christmas speciality in Portugal. Every year, the National Association of Bread and Pastry Producers recognises the best bolo-rei in the country. The 2022 winner is a small bakery, named Padaria da Ne, located in Amadora, in the northwestern suburbs of Lisbon. In this photo, a baker places candied fruits on a bolo-rei before putting it in the oven. (Photo by CARLOS COSTA / AFP)

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A freshly baked bolo-rei at the Padaria da Ne bakery in Amadora, Ingredients include port wine, candied fruits and lots of mixed nuts. (Photo by CARLOS COSTA / AFP)

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A photo from the kitchen of Padaria da Ne bakery shows a baker shaping the dough to make bolo-rei. The cake is eaten in the period between 25 December to 6 January. (Photo by CARLOS COSTA / AFP)

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A baker places a freshly baked bolo-rei at Padaria da Ne. (Photo by CARLOS COSTA / AFP)

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Customers wait to buy Christmas specials, including bolo-rei, at the Padaria da Ne bakery. (Photo by CARLOS COSTA / AFP)

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A gingerbread installation on display at the Museum of Architecture's Gingerbread City in Belgravia district, London. (Photo: Maja Smiejkowska, Reuters)

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The exhibition showcases five intricately designed cities conceptualised and created by more than 100 architects, designers and chefs. (Photo: Maja Smiejkowska, Reuters)

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The installations, made with dough, sweets and icing, feature five edible cities across different climate zones such as polar, continental, temperate, dry and tropical. (Photo: Maja Smiejkowska, Reuters)

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This is the sixth edition of the annual exhibition that draws large crowds every year. (Photo: Maja Smiejkowska, Reuters)

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This year’s theme reflects the desire for more liveable cities where most daily necessities can be met within a 15-minute walk, cycle or trip on public transport. (Photo: Maja Smiejkowska, Reuters)

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The Gingerbread City at The Museum of Architecture will open on 3 December, 2022 and will run until 3 January, 2023 at 6-7 Motcomb Street, Belgravia, London. (Photo: Maja Smiejkowska, Reuters)